Dennis Rodríguez, manager and sole employee of a family business he must save from foreclosure, receives the news that his girlfriend is pregnant, but she doesn't want a child. Dennis decides to take on this challenge: he will be both a father and a mother to that baby, which leads him to embark on a new path full of surprises that will radically change him.

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Captain Jordan Wright's squadron on leave for a wedding in Mexico encounters a murderous cartel. As Jordan tries to lead survivors to safety, war erupts between his squad and the cartel, forcing him into a battle to save his men.

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John, looking for the mother in Cuba he hasn't seen in thirty years, is surprised to discover just her corpse minus her head, and further to find that the rest of his family there, who are stranger than he thought, are not all that helpful in his quest.

PADRE SELVAGGIO DE PIER PAOLO PASOLINI ITALIE/1962/9'/VOSTF/VIDÉO Un bout à bout d'essais, tournés en un seul jour dans un camp de gitans de la banlieue de Rome en décembre 1962. Un film que Pasolini ne terminera jamais.

"Ni Muy Muy, Ni Tan Tan, Sim­ple­men­te, Tin Tan. Tin Tan was one of the grea­test com­de­dian-​ac­tors in the his­tory of Me­xi­can Ci­ne­ma. He be­gan his film ca­reer du­ring the early years of what be­ca­me the Gol­den Age of Me­xi­can Ci­ne­ma. Th­roughout the ma­jo­rity of his mo­vies he plays the cha­rac­ter of a pa­chu­co; the Chi­cano/Me­xi­cano in zoot suit, th­ro­wing out the ti­ri­li ph­ra­ses and words, and jam­min the jitty-​bug. With the sty­le and the slang down to a tee, he was pi­cked up in Cd. Jua­rez Chihuahua by an ac­ting trou­pe. Tou­ring ex­ten­si­vely th­rough-​out Me­xi­co with the trou­pe lan­ded him in Me­xi­co City with film con­tracts. It was in tho­se films that Tin Tan ex­po­sed the ima­ge of the pa­chu­co, which Me­xi­can Youth adop­ted. From the de­sert bor­der-​towns of Jua­rez y El Pa­so the sty­le took off in va­rious parts of the coun­try, most no­ta­bly in Me­xi­co City

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